12.24.2010

Fearless Vampire Killers


When I first came across Fearless Vampire Killers (named for the Roman Polanski movie), they had a total of three songs available for listening... and that was that. Three incredible songs, but they had a way to go. Now, they've released their first EP, In Grandomina..., and their first music video for the song "Palace in Flames"



Both are incredible.

The talented boys of FVK have pursued an undertaking many bands ignore - with their music, they create an entire world. Their performance is one part concert, one part story. They know what they want from themselves and they go for it. Recent shows with punk rock giants Aiden, as well as a number of their own shows in the London area, have brought these gents to a variety of new fans. The distinct style and passion brings them well-deserved love and attention as they climb through the ranks, determined to make their mark.

The five-track EP In Grandomina... is available through Amazon, iTunes, or the band's site: http://www.fearlessvampirekillers.co.uk . 


Experience the energy, experience the feeling, experience... Grandomina.


Connect with the band at their website or at: TwitterFacebook, MySpace .




Mari
marissa.billiet@hotmail.com
http://twitter.com/musiccrit

10.11.2010

"Creatures" - Motionless In White

Thank god for Entertainment or Death.

If it wasn't for the EOD tour and its stop in Columbia, I wouldn't have gotten to hear Motionless in White. And, considering that in the all of two and a half days since the show I've become hooked, I would have never known how much I was missing out on! One of the great things about the tour, though, was early access to MIW's new album, "Creatures," which drops officially tomorrow. I've listened - and listened, and listened, and listened - to this album, and MIW definitely didn't disappoint. I'm digging it all, right down to the album art (it reminds me of Tim Burton, but that could be a reverse effect). This six-piece (which is unusual in itself, but they have a keys player - Josh Balz - and a lot of modern bands lack that) certainly deserves the attention I guarantee they'll get following this killer album. Passionate, angry screams are backed with by intense instrumentals on all sides, but easily transfer to clean vocals backed by easier melody, demonstrating that Motionless in White is more than just a group of angry young people - they're a genuinely talented, deserving group of musicians.

I can't choose a favorite, but some of these songs really do just stick with you. My top three are probably...

"We Only Come Out at Night" - Pulled from their EP When Love Met Destruction, this track starts off with a quote from Bela Lugosi in Dracula. There is no better possible way to start off a song that's got vampire Halloween undertones. (That does not mean you should all go write a song about vampires and start with that. It will not make it good.) Being a huge classic horror fan, that start made this track an insta-favorite. More than that, though, the chorus just stays in my head. It's really good. Reading over comments from other listeners, I'm not alone.
"Puppets (The First Snow)" - This track hold my favorite lyric of the entire album. The line "I've never had the words to say, but I can quote them all" resonates in a beautifully poetic way, because I'm one of those people who seems to have a song for every occasion, but I can never put it quite as right as someone already has. Chris, beautifully said!
"Scissorhands (The Last Snow)" - YES. When I saw these guys in Columbia, they opened with the Edward Scissorhands theme music. So what better way to end the album than with a song about the classic film? I think I would have loved this song even if I'd never heard it, but the fact is, like everything else on this album, it's incredible.

Aside from my tops, songs such as "Abigail" (one that was shouted for by many members of the crowd) and "London in Terror" are incredible. The chanting in "Count Choculitis" is killer. Each word pounds through you, and leads into a GREAT song. I think you just have to love the title track, "Creatures," because, as it says in the album booklet, "all lyrics [were] written and submitted by fans". How many bands can say that? I find that totally awesome of the MIW boys.

So, to Chris, Angelo, Balz, TJ, Ryan, and Ricky: Well-fucking-done.

And to my readers: Get the fucking album. It's worth it. Don't believe me, listen at the band's YouTube channel: http://www.youtube.com/motionless1234.

You can also check out the band on
Twitter: http://www.twitter.com/MIWband
MySpace: http://www.myspace.com/motionlessinwhite
or see my interview with Chris at
http://www.youtube.com/watch?v=LltW0EWRaGo


Mari
marissa.billiet@hotmail.com
http://twitter.com/musiccrit
http://youtube.com/musiccritmari
7048686274

10.09.2010

Entertainment or Death - 10/8/10

Three's a magic number, right? Third time's the charm. Three strikes you're out. It takes three to - oh, wait, nevermind. Anyway, with regards to the "Entertainment or Death" tour and myself, three was a magic number. It's a third chance I've had to see the headliners, Black Veil Brides, and the first I haven't missed. More importantly, though, it's the number of in-fucking-credible bands in the lineup.

Motionless in White (from Wilkes-Barre, PA) opened up the stage of New Brookland Tavern in Columbia, SC, and I knew it'd be good before they even stepped onstage - it had to be, with Edward Scissorhands music as an intro! Even though I hadn't listened much to these guys before the show, they certainly made a believer out of me. The energy with which they dominated the stage was incredible, and one could tell that they put a lot into their performance. Their love for what they were doing was obvious. The crowd clearly loved it to, because this was the only point in the night people attempted to mosh. (Admittedly, MIW's style was the most suited to the idea as well!) I walked out with their upcoming album, "Creatures," and have been listening to it ever since. Luck also gave me the chance to interview singer Chris Cerulli, which you can see here or just by clicking below!




William Control came next, and as a longtime fan of both Aiden and William Control, I was already pumped. WiL and Nicholas definitely didn't disappoint. WiL took his place as "The King of Disorder" (as he proclaims himself in his single from album Noir "I'm Only Human Sometimes"), becoming an absolute madman on the stage. His energy was balanced out with a dark passion and an absolute connection with the crowd. More than once he descended from the stage to the crowd, sending everyone into an absolute frenzy. I was stoked to sit down with WiL later in the night, to learn more about the man behind the music. I was totally impressed by his overall behavior and composure. He stands in absolute defiance of what a lot of people seem to feel a singer of his sort should be. You guys can see that interview here or below!



Black Veil Brides may have some of the craziest fans in ever. That was chaos - but not in an altogether bad way, I guess. Their army, decked out in warpaint (including myself; even though I didn't go in warpaint, I left in it, though  most was washed off between TJ of MIW's spit-water and Zombie Nicholas' water bottles), chanted for the band as the curtain stood between us and them, their chants proving that the end of the "Perfect Weapon" video was no joke. When the show began, the surge pinned those of us at the front to the stage - painful, but worth it. Andy jumped and moved like the music was inside of him, never faltering - even when his overexcited fans nearly made him topple. Jake and Jinxx were every bit as awe-inspiring a duo live as you'd expect from hearing them play recorded. The way their talent complemented each other was incredible. Relative newcomer Christian "CC" Coma rocked it all the way, and we got to see before the show that he's a pretty cool guy, talking on the phone to a fan who couldn't be there. Ashley Purdy was wild, playing up the camera (which was much appreciated, of course), and staying true to his "outlaw" title.

I've gotta say, with the individual styles of the three bands present on the EOD tour, one might think they couldn't possibly go together. Instead, though, this lineup meshed as well as or better than any lineup I've seen this year. Somehow they all complemented something about each other, and it gave fans a chance to be exposed to something totally new. I would never pass up the chance to work with any of these bands, in any capacity, again, because it was a truly incredible experience. If the "Entertainment or Death" tour hasn't yet hit your city, don't pass it up!

Pictures up now at http://bit.ly/bj5z6R!

Love to you all. Keep on kickin' ass.
Mari

marissa.billiet@hotmail.com
(704)-868-6274

10.01.2010

Locals at Tremont Music Hall, August 26

A big part of Tremont Music Hall's draw on August 26 was the presence of Frankie Muniz as the drummer of headlining band You Hang Up. The spotlight shined just as brightly, however, upon Charlotte bands Matchgrip and The Decour, who reminded everyone that all bands start local and that locals can pack just as much of a punch.

Matchgrip got things started, and they caught a lot of attention for their unique sound. Blending vastly different musical backgrounds (influences range from classical to Dave Matthews and soul to Smashing Pumpkins), the band has developed an infusion that takes listeners by surprise and holds them captive. With singer Marc's powerful soul tone weaving in and out of melodic keys, fierce guitars, and pounding drumbeats, Matchgrip's first venue show proved them to be great musicians with incredible potential.

Next to the stage came The Decour. The members of this four-piece may be young, but they absolutely held their all. No strangers to the stage, the band radiated energy and confidence. An enthusiastic audience belted their songs back to them as they worked the stage. There were a couple of technical difficulties - a la picking up radio through an amplifier - but they carried on and pulled through easily, never losing their easy smiles and charms.

9.02.2010

Uproar Festival - September 1

Yesterday's Charlotte stop of the Rockstar Uproar Festival was one of the greatest shows I've seen all year. The heat was insane, but it was nothing compared to the crowd. When the locally sponsored band, Straight Line Stitch, was on the Jagermeister stage starting us off, the crowd was just as enthusiastic as they would later be for some of their favorites. Their energy never faltered.

The Jager stage was filled with talent, with New Medicine starting off the official lineup. Ranging from upbeat fan-favorites like their single "Laid" to the personal song "Little Sister," New Medicine made a lot of new fans as the day went on. The signed for some fans at their merch tent, and did a signing later on at Rockstar's tent. I got to sit down with Jake Scherer (vocals) and Matthew Brady (bass) later in the day, and I had a great time. In the meantime, check out the band here.

Next to the stage was Airborne. I'm not really sure what I thought about them. A little bit chaotic, the music only so-so. The energy was great, but I felt like there was just a lot of flailing around. You tell me - do you disagree? They were followed by Hail the Villain, but, unfortunately, we didn't get to see much of their set. Sorry guys - come back and we'll see you again! It really sucks that we missed out. We did get back in time for HellYeah. They were good - I hadn't heard much from them before - but it really bothered me that their first two songs were "Hell Yeah" and "God Damn". Where's the creativity? But that only goes so far, and musically, I liked it. Let's face it - how can it be helped when the group's made up of a Mudvayne vocalist and guitarist (Chad Gray and Greg Tribbett), Nothingface guitarist Tom Maxwell, Damageplan bassist Bob Zilla, and drummer extraordinaire (formerly of Pantera) Vinnie Paul. A little while into their set, we went over to the New Medicine Rockstar signing, and I was pleased to see that they recognized those of us that they'd seen earlier in the day. It showed that they were in touch with the fans, which was great.
Check out Airborne, Hail the Villain, and HellYeah.

Mainstage!!! Halestorm opened things up, and damn! Lzzy was unstoppable, a powerhouse up onstage. Gotta say, I like the short hair she's rockin', and the attitude she doesn't seem to leave home without. Her brother Arejay was killing on drums, tossing sticks and playing like a madman. Joe and Josh were pure energy, and altogether the band was incredible.

Stone Sour rocked it next; I was on my way to an interview when they started, but they could be heard all across the grounds, and I swear the sounded like they were recorded. They played some old favorites along with some stuff off the new album, and wow. While I'm not usually as into them as the other bands, I loved the sound, and everyone I came across to ask later said they put on a great stage performance. Wish I could've seen it! I'll have to catch up next time around. We did get some great pictures!

Avenged Sevenfold. There are no words. They absolutely stole the show - in fact, they were probably my favorite set all summer. Theatrically, their setup was flawless, intense and engaging, from the sick opening to "Nightmare" to the final words after "Almost Easy". More importantly, it was clear that they put their hearts and souls into the performance. Musically, there are few guitar duos that can top Syn Gates and Zacky Vengeance. Johnny Christ was incredible, rocking his across the stage. M. Shadows proved everybody who's ever said he can no longer scream totally wrong as he tore through song after song. Mike Portnoy (of Dream Theater) was freaking incredible, working the kit like a mad genius, working the crowd; I can't think of a single person better to fill The Rev's spot onstage. At one point, the band honored their fallen brother with "So Far Away," a tribute ballad off of their latest album. Beautifully done, and it was impossible not to be carried away in the emotion of the song. But then, it was impossible not to feel the attachment to all of their music as the band interacted with the crowd and with each other. They're brilliant musicians, and I'm more than honored to have been in the crowd last night. My voice was hoarse with screaming, and I wouldn't have it any other way.
(See some of the pictures from MusicCrit's Lauren Glennon here!)

Last but not least came Disturbed. I learned through talking with others in the audience that some bittersweet things had been said regarding the band's onstage performance, but all of that was quickly proven wrong. While I think their intro seemed to drag, musically they were incredible. Vocalist David Draiman worked the stage with ease as he belted out hits both new and old. The staging worked wonderfully, a ton of leveling and video. They ended the night with an encore of what is likely their most widely known hit - "Down with the Sickness".

When it all comes down to it, I don't think anyone could have possibly walked away from this festival disappointed. An incredible lineup, the perfect atmosphere - it was a helluva good time, and I can't wait 'til next year.

Pictures will be up Monday - sorry, but we're waiting for the edits and such!

Mari
marissa.billiet@hotmail.com
http://www.twitter.com/musiccrit

8.10.2010

"Bridging the Gulf"

Musicians come together for a lot of things. They joined together when Katrina destroyed the Gulf states, and when an earthquake brought already-struggling Haiti to ruin. Now, they've joined together to help rehabilitate the environment following the damaging oil spill in the Gulf. This past Saturday, area musicians banded together to raise money in a benefit called "Bridging the Gulf," from which all proceeds went to the National Audubon Society.

Organizer and performer Brian Lewis says he knew right away that he wanted to help, and there was a personal note involved, as well.

"I grew up on the East coast of Florida," stated Lewis, "the Cocoa Beach area. The beach is sacred to me. My Mom grew up on the gulf coast of Mississippi. I spent all my summers there when I was a kid. I've swum in Gulf waters. Seeing what happened after the oil spill tore me up. I knew I had to do something." And he certainly did. Lewis called up Steve's Bar and Grille in Fort Mill, SC, to set up a meeting about what he had planned. When it came to calling on the bands, he relied on local talent, coming up with a lineup of nine bands from the general area, including his own band, 8th Street Stereo. Other acts were Under Attack, Zach Fowler, the Rockaholics, the Square Roots, Ziggy Van Zant, Tattermask, Beyond the Fade, and Drop D. The lineup, attendees could see, was incredibly diverse - which was the intention. The more diversity, the more people were likely to show up.


My musical top three? The last three acts of the night: Tattermask, Beyond the Fade, and Drop D. Yes, I'm a little biased - this is my genre - but going off of energy, they're definitely up there. Presence-wise, Johnny Rochester (bassist of Beyond the Fade and Drop D) and DZL (guitarist and vocalist of Drop D, as well as DJ for 106.5 the END), seemed more comfortable on the stage than anyone I saw earlier in the day. I look forward to hearing more from all three of these acts. Others thoughts from throughout the day? Acoustic soloist Zach Fowler, and 8th Street Stereo. Coordinator and drummer Brian Lewis informed me early in the day that, due to their bassist being called to work, 8th Street Stereo was going to have to alter their set, turning it into an unexpected acoustic set. Well, hearing things acoustic makes me want to hear how it would sound, and I have a lot of respect for the band for pulling everything together so smoothly at the change.


But, as I was reminded throughout the day, this event was not about the music; it was about raising money for the cause. So, in addition the the music, a raffle was suggested by DZL as a way to earn more for the cause. Prizes included Heart tickets, a setlist and poster autographed by the Metallica and Alice in Chains, respectively, and - what many considered the top prize - a BP replica bass boat. Why a BP replica in a raffle to raise money to fix what BP has brought about? Well, the winner got to smash the boat with a hammer. (See the video here.)


By the end of the night, $2900 was raised to go to the National Audubon Society. This money will go toward restoring the wetlands, cleaning and relocating the birds, etc. As Brian Lewis reminded me, "The cleanup from this is going to take a long time. The Exxon Valdez spill was 21 years ago, and they're still having problems in Alaska because of it.  This isn't going away anytime soon." That being said, every little bit helps. If you were unable to attend, but you would like to help with the Gulf restoration efforts, please go to http://www.audubon.org/ and click "Donate to Gulf Oil Spill Recovery."

8.05.2010

Local Names Benefit Gulf Catastrophe - NC/SC

This Saturday, August 7, in Fort Mill, South Carolina, nine area bands will be coming together to perform a benefit show entitled "Bridging the Gulf". All funds will benefit the National Audubon Society. Ten dollars will get you in to see Tattermask, 8th Street Stereo, the Rockaholics, the Square Roots, Under Attack, Ziggy Van Zant, Zach Fowler, Beyond the Fade, and - headlining - Drop D, who a lot of people know because of member and 106.5 The End DJ, DZL.

As everyone is aware, the incident in the gulf caused mass amounts of damage to the wildlife population of the area. That's what this show is about - not any one of the bands, but the big picture, and making every bit count. Aside from entry sales, there will also be a raffle of items gathered from 106.5, and donations will be accepted. Remember, every little bit helps! To take part in this event, you can RSVP on the Facebook page: http://www.facebook.com/#!/event.php?eid=128898757142301&ref=mf, or you can just show up at Steve's Bar and Grille (2150 Gold Hill Rd, Fort Mill, SC) at noon on Saturday. Visit the Facebook page to learn more, or drop me an email or a comment and I'll make sure to get your questions answered!

Food, drinks, music, and charity. We'd love to see you out there!

Much love,
Mari
marissa.billiet@hotmail.com

Mayhem Festival 2010 - Raleigh, NC

Mayhem: absolute chaos or severe disruption; disorder, confusion, turmoil, havoc, pandemonium, bedlam.

Yeah, that sounds about right.

When Mayhem Festival 2010 stopped in Raleigh, Time Warner Cable Pavilion went wild. Before they started letting people in, the line seemed like it went on forever. Everyonewreaked havoc as they braved the heat to see their favorite bands. Vendors laughed and joked like anyone in the crowd (I distinctly remember a one man circle pit at the Fuck Your City booth - the guy was hugging a box of crackers), and the smaller stages proved to be just as capable of chaos as the headliners. When 3 Inches of Blood hit the Silver Stage, the show got started. Old fans shouted along, and new fans were made. Personal opinion: Not my favorite, but they certainly enjoyed it!

Every Mayhem stop has had a local band open up the Jager stage, and in Raleigh that band was Gollum. Though the concert-goers came for the more established, Gollum was in no way lacking local love. It was great to see so many people singing along to a band that had gotten such a cool opportunity!

Next to take the Silver Stage was my personal favorite, In This Moment. After opening and before going into heavy-hitter "Next Life", vocalist Maria Brink demanded to see crowd-surfers, and when Maria speaks (or sing), fans listen. People started rushing over the crowd hoping to touch a hand. After the first three songs, the audience was in for a treat. The band was joined onstage by Adrian Patrick, vocalist of Otherwise, who came on to sing his part in a fan favorite from the latest album - "The Promise". This was an incredible performance, and, I learned, a great opportunity for Adrian. (Hopefully sometime tomorrow, MusicCrit's interview with him will be posted!) The set was finished with some of In This Moment's heaviest material, and while Chris, Blake, Kyle and Jeff rocked the stage for the final song, Maria made her way through the crowd, and the sick circle pit, to the soundboard. The crowd was thrilled, and I was ecstatic to get to watch one of my favorite bands perform - it was definitely not disappointed.
(Either later tonight or tomorrow, I'll link my interview with Chris Howorth!)

Next came "Shadows God Damn Mother Fuckin' Fall" - their words not mine! These guys were insane, from the songs to the chaos to vocalist Brian Fair's flying dreadlocks (for real, those things are totally weird, and awesome at the same time). Shadows Fall definitely didn't disappoint anyone - their energy was palpable. And no, I'm not mixing it up with the thick humidity.

Norma Jean. DUDE. I loved this set. Bassist Jake Schultz was absolutely wild with energy, and vocalist Cory Brandan screamed passion as he belted out crowd-pleasers. Norma Jean's style seems a bit different than many of the acts present, but that's the appeal of a festival show like this - there's so much diversity, and it gives bands a chance to be exposed to fans who migh not otherwise check them out.

Unfortunately, I missed the next two sets, Chimaira and Atreyu (Winds of Plague was scheduled for the spot, but they and Atreyu ended up switching out), to run for an interview with Chris Adler of Lamb of God. (You guys'll see that one soon, too!) Chris was really great to us, and he was really intelligent. It was an honor to get to meet him. And we came back just in time for Hatebreed. They had one of the best crowd connections of the day, I say. The crowd loved it and connected in return. There was a t-shirt launcher involved, and then, eventually, vocalist Jamey Jasta called a crowd-member up onto the stage to watch from the side - a little eight year-old boy who'd been up against the barrier, hardly tall enough to see over. I love seeing that, because it shows that human element to people fans often put up on pedestals.

Winds of Plague played the last set of the smaller stages due to their rescheduling, and I turned out to be glad for the change, because it allowed me to see them play. I later told singer Johnny Plague that he was, quite possibly, a photographer's nightmare; I meant it as a compliment, and he took it as one. He - and the rest of Winds of Plague - had so much energy. It was insane, and nearly impossible to get a clear shot, but totally worth it all. I hadn't heard much from the band prior to the show, and that made me even more grateful to get to see them play. I'm considering myself a convert, and happily so.

Mainstage - holy crap! Five Finger Death Punch started things off, and it was killer. I love how Ivan Moody pulls you in. Though they haven't been around as long as their mainstage companions, they proved that they were well deserving of the spot alongside the huge names on the bill. Their stage presence was great, there was a good level of energy, and everyone emanated passion. At the end of their set, we left to go on to some more interviews - Chris Howorth, Adrian Patrick, and Johnny Plague (promise they'll be up soon!) - and we returned midway through Lamb of God's first song. Lamb of God was incredible. Absolutely incredible. Randy Blythe's another who makes it hard to get a shot, but that isn't a negative thing. They put on a great show. They were followed by Rob Zombie, and after shooting that set, I felt like I should have gone back and apologized to Johnny Plague. THIS was a photographer's nightmare. The lights... But from a non-photographing point of view, this was the best-executed set to hit the mainstage. Rob Zombie goes all-out - lights, robots, costumes, pyrotechnics, anything. It was wild, and interspersed with his comments to the crowd and to his bandmates. He joked a lot with John 5 - who formerly played with Marilyn Manson - about being too feeble to keep playing, telling the crowd that John was in too much pain to play. When he told his guitarist to play something that "hurt less" and he started playing Mansons' rendition of "Sweet Dreams," Rob informed John that "neither I nor they give a shit" about the pain, and that he was to play the damn song. Shortly after, John 5 broke into a SICK solo (at one point he played with his tongue). The set was finished off with "Dragula," which involved robots, confetti, and a whole hell of a lot of Mayhem. Korn finished off the night, and while musically they were really good, I had an issue - as a photographer - with the fact that Jonathan Davis was kind of spazzing at points. Still, they did well, though overall I feel like Zombie should have been the main act - in a lot of ways, that was.

Now, throughout this review, there's one thing I haven't mentioned: Metal Mulisha. These daredevil motorcyclists were INSANE. I mean that almost literally. Unfortunately, we didn't really get any good shots of their stunts, but it was definitely a sight to see.

So, overall, Mayhem was everything the name implies, and then some. It was a great chance for musicians of a loose grouping but very different styles to come together, put on a great fans, and be there for fans both new and old. My favorite sets were In This Moment, Winds of Plague, and Rob Zombie, and I'm honored to have been there and to have gotten to talk with so many great musicians. If Mayhem hasn't stopped in your city yet, make sure you're there when it does! And if it has, and you were there, what are your thoughts on the chaos?

Photos and interviews up soon!

Mari
marissa.billiet@hotmail.com
http://www.twitter.com/musiccrit

7.25.2010

Carnival of Madness - Charlotte, NC

Yesterday, I was lucky enough to be able to photograph at Carnival of Madness at Verizon Wireless Amphitheatre, Charlotte. Let me just say, it was an incredible show. The heat index was 105°, but the stadium was still packed - as Shinedown vocalist Brent Smith pointed out - with at least 12,000 strong.

10 Years opened the show, and I loved it. They were really interactive and you could tell they were into it. Singer Jesse Hasek braved the intense heat wearing a parka for the first part of the show. Following their first song, he made it quite clear that no one else was allowed to complain because they weren't wearing parkas. Anyway, the band definitely kicked things off with a ton of energy, and the crowd loved them. Sometimes it's hard for the openers to get much out of the crowd, but these guys didn't have a problem. They pulled out what is likely their biggest hit - "Wasteland" - as the second song, which put the crowd in an energetic frenzy. Interspersing old favorites with newer songs like "Dead in the Water," they were anything but boring. They also interacted really, really well with the crowd, which I appreciate. When Hasek came down to the barrier, I saw tears in the eyes of one of their pit fans. It was beautiful.
Pictures: http://www.flickr.com/photos/musiccritmari/sets/72157624454887165/

Sevendust came next, and wow. They kept the energy going as if the stage had never cleared. As a photographer, I loved that singer Lajon "LJ" Witherspoon definitely played it up for the camera while we were down there. They were lively and exciting and made things really fun for the crowd. Bassist Vinnie Hornsby was also a lot of fun. He smiled a lot, which makes everyone else smile - it lets us know that he really enjoyed what he was doing. Drummer Morgan Rose was sick (the good kind) - completely flailing (also the good kind) and carrying the most wild energy of anyone there.
Side note, later on (following the three songs I got for Chevelle) I went back to VIP. LJ was back there taking pictures and talking with his fans. That was really cool to me; he seems very down-to-earth and I respect that more than I can say.
Pictures: http://www.flickr.com/photos/musiccritmari/sets/72157624579563696/

Puddle of Mudd. I was talking to someone after the set, and we've agreed that Wes Scantlin either had a couple of drinks before hitting the stage or he had recently woken up. He was a little out of it - and it was great! He was a trip. I was really glad that I chose to have my camera held and stay out for this set. The biggest hit was surely the cover of AC/DC's "TNT". Between that and their final song, bassist Damien Starkey asked the crowd if they thought they were crazy. He started to say that "to be honest" no one was as crazy as singer Wes Scantlin - but then said singer interrupted to "be honest" about the fact that sweat was making his testicles stick to his legs. As that randomness implied (and as half the crowd had guessed anyway), the set ended with "Psycho" - and psycho it was.
Pictures: http://www.flickr.com/photos/musiccritmari/sets/72157624579566300/

Let me start this one off by saying that I love Chevelle. That being said, I was sorely disappointed by their live performance. Musically, they were great, as they always are, but I could've put in a CD and gotten that. When I go to a show, I expect a performance, and I didn't get that from them. The stage was bare, which I can handle if they use the space, but they really didn't. All of my shots look alike because they didn't move. Bassist Dean Bernardini put the most into it, it seemed. They did eventually pick it up, but not 'til nearly the end of their set. I didn't even stay out for it - I saw it on the screens. Like I said, I do love the band, but their live show was definitely lacking to me.
Pictures: http://www.flickr.com/photos/musiccritmari/sets/72157624454897351/
Addition: I have spoken to a lot of other people, and it seems like the band is a lot more involved when they play club shows and such. That's acceptable; a lot of bands are like that. Keep in mind that I'm not bashing the band, just the performance aspect at this particular date.

Shinedown. Any problems I'd had before vanished when they took the stage. They were phenomenal. Opening with the silhouettes through the screen, they opened with "Sound of Madness," and the Carnival began. Vocalist Brent Smith took on the true role of ringleader. Zach Myers was fabulous on the guitar - as he always is; bassist Eric Bass (irony, much?) and drummer Barry Kerch put their all into the rhythms and the crowd felt it. When they sang "Fly From the Inside," even though we'd all been out there for a good five to six hours, the energy returned ten-fold, as if none of us had faced the heat, the time, anything. There were two truly great moments in this set. One was prior to "If You Only Knew". Smith spoke between songs and told the crowd that the next song went out to "the most beautiful creatures in the world... the grandmothers, the mothers, the wives, the aunts, the sisters and the best friends. To the women." That, to me, was beautiful, and the emotion in the song as they performed let the crowd know that he meant his dedication. The other moment was when they, essentially, faked out the crowd by leaving the stage and taking the lights out. A bunch of people left, but after a few minutes Zach Myers returned with an acoustic guitar. Kerch and Bass followed, taking seats on the stage. Smith was nowhere to be found, but soon he emerged - he had gone around to the lawn, and Zach played as he sang "Simple Man" on his way through the crowd back to the stage. There was never a moment in this set where you doubted Shinedown's love and appreciation to their fans.
Pictures: http://www.flickr.com/photos/musiccritmari/sets/72157624454902961/

I couldn't be more grateful for being able to cover this show. It was an incredible experience, and I enjoyed every second. The bands are all incredibly talented, and I love that they love it. I truly believed it when Brent Smith said they would have played for "five people or five hundred thousand," as long as they got to play for their fans. Thank you to the bands, and to Verizon Wireless Amphitheatre Charlotte.

As to the photos, I had to choose a select amount out of 300 pictures. Eventually, I'll post more of them - promise! I also took it with relatively low zoom on a camera I wasn't used to, and none of my pictures have been edited. Even so, I'm pleased with many of them, and hope you enjoy them.

So much love,
Mari
xoxo

marissa.billiet@hotmail.com
(704)-868-6274

7.23.2010

"A Star-Crossed Wasteland"


In This Moment's third album, A Star-Crossed Wasteland, reaffirms what fans have long known - ITM is a force to be reckoned with on the metal scene. With previous albums Beautiful Tragedy and The Dream, the band carved a place for itself in metal's hallowed halls; with their third album, they step into that place and scream a defiant challenge to anyone who would dare suggest they don't belong there. This challenge comes in the form of opening track (and first single), "The Gun Show".

This album carries the idea of an apocalyptic/post-apocalyptic wild west, with the title and them inspired by Stephen King's "Dark Tower" series (Noisecreep). It comes as a sort of middle ground between the previous album - heavy and driven like Beautiful Tragedy, but with melodic qualities more evident in The Dream. Whereas songs like "Gunshow" demonstrate the power of singer Maria Brink's screams, it's balanced out by the tender ballad "World in Flames". Songs like "The Promise" (featuring Adrian Patrick of Otherwise) create an interesting balance, showing a pain that wasn't seen as much on The Dream. Then there's "The Last Cowboy," which definitely - to me - epitomizes the albums themes. And no, not just because it's about a cowboy. These songs represent the vast lengths to with A Star-Crossed Wasteland takes its listeners, and I'm once again impressed by In This Moment's ability to not only stand out but surpass others and themselves with everything they do.

More to come with my thoughts on In This Moment following Mayhem Festival. In the meantime, grab the album. It's more than worth it.

Mari
xoxo

marissa.billiet@hotmail.com
(704)-868-6274

7.21.2010

"We Stitch These Wounds"

As I start this, it is 1:30 in the morning. EST. July 20, 2010.

Black Veil Brides' debut album, "We Stitch These Wounds," is currently number two on the iTunes Rock charts. It's number thirteen overall. I've watched as it's gone up in the past hour and a half on both charts. Fans on Twitter and similar social networking sites are consumed by the rise. So what now?

Now I'm going to save this and log off. I intend to resume my writing later today - by which point I wouldn't be surprised if the band's followers - "Bridesmaids" and the "BVBarmy" - have pulled the album all the way to the top. We'll see!
~.~.~.~.~.~.~.~
Alright, due to unfortunate computer problems, I wasn't able to return to this the day of, but it's now July 21, and Black Veil Brides are slowly gathering more and more momentum. I've loved listening to the album... quite nearly constantly... and now, by request, I'm doing a track-by-track of the album that caused bassist Ashley Purdy to say to Noisecreep: "It's melodic laden battle cry ... a torch that's carried from everything we loved in heavy rock and metal music that hasn't existed in decades." I have to say, it's pretty incredible: Andy's vocals go between clean and rough at just the right points; Sandra shows that you better not judge her for being small and female, because she can own the drums as well as or better than any guy; between her and bassist Ashley Purdy, they've got a great rhythm section, which often goes sadly ignored by the fans - they won't let it happen here; guitarists Jake Pitts and Jinxx are incredible, already stamping out a place beside the greats in my book.


1. The Outcasts (Call to Arms)
Black Veil Brides fans are an army, so what better to open the album than a call to arms? I also find it really cool that Andy got his grandfather involved with this.

2. We Stitch These Wounds
This song was unofficially released over a year ago, and it sounded pretty different then. At first, I had some issues adjusting to the changes in melody - I kept singing the other - but after a few listens, I still love it. And I've got to say, the instrumental changes sound pretty freaking sweet. I definitely dig the solo - Jake Pitts is pretty much owning through solos all over this album! Overall, I've come to love the changes, and I can't get enough.

3. Beautiful Remains
I. Love. This. Song. It's one of my favorites on the album. The intro is great. I love the ceremonial feel of the first verse. The backing vocals before the chorus introduce an almost chant feel and serve for a great buildup (something also seen later in the album). The chorus itself is something nongeneric that manages to stay in your head. You just can't help singing along. The drumroll before the solo also creates a really cool vibe - which works because it's a sick solo. ;)

4. Children Surrender
This one was another of my instant favorites. The lyrics are just perfect. The first verse caught me because it seems to emphasize a big basis for Black Veil Brides - "We're born into the night like children of the damned/And our pain will shine a light to those who understand" - to me painting a picture of and for their outcast" fans... and of their former selves. The idea of pain (oppression, discrimination) calling to others is uplifting and it makes fans able to relate. The backing for the chorus has the "chant" feel mentioned above and it's great. The scream post-second-verse leads perfectly into the instrumentals, which in turn lead perfectly into pretty much everything else. And I won't lie - I love the vampire feel. Why not?

5. Perfect Weapon
The album's first single, "Perfect Weapon" is a wonderfully balanced track that displays everyone's talents perfectly - from the deep opening scream on the part of Andy Six - making it a great pick. I have to appreciate the video for this single, because I feel like it really shows how much they've progressed. It's harder to see in some ways, but this video was just as conceptual as their "Knives and Pens" video debut - it's actually intended as a sequel. In an interview with MUEN magazine, Andy said, "The idea behind this video is that the main character named David now has an army. It is supposed to represent the band's growth as well as the fans' growth with the band. In the first video, we were a band that not many people had heard of and now because of the video we have been allowed success." Lyrically, I really enjoy the song, especially the comparison in the second verse - "Like birds whose wings are broken/You live without direction".

6. Knives and Pens
"Knives and Pens" holds a special place in my heart for being the first video, what really got people's attention. In the WSTW version, there are some changes, but good ones. Everything's a lot cleaner. The vocals are clearer. The instrumentals have been amped up. There are smaller changes all over the place, and then the solo's been totally changed. Everything just flows better - and it wasn't bad at all to begin with. This is a really good reworking of an already great song.

7. The Mortician's Daughter
Before the release of the album, the original version of this was one of my favorites. I love this one just as much. It's so different from everything else, and it shows versatility that I really appreciate. It showcases Andy's voice beautifully, I love the use of piano and violin/orchestra, and everything just works. It's funny, because no one would really expect an acoustic song from them, but this one's always been beautiful. And lyrically it's one of the best things I've ever heard because it's totally heartfelt. It's a song that makes a girl say "Wow, does that really happen?" I was really glad that, vocally, it wasn't really altered. It was too perfect to me to begin with; I would have been heartbroken to hear it sang differently.

8. All Your Hate
Something about this song... I can't explain it (which is frustrating since that's kind of my job) but the verses are just different. It just stands out, something about how they're presented. The chorus I love, because it's another one that anyone can reach out and apply to life. "We learn from all your hate" - that's a line that I intend to hold in my mind as defense to those who would tear me down. I know I'm not alone in that. Again, the instrumentals are incredible - I don't think they can do it any other way.

9. Heaven's Calling
This song seems to project a lot. There's a lot of emotion, a lot of passion. It's very heavy, one of those songs that can place them up with some musicians of the past. Thinking about what to write here, my mind actually went to the fact that you can really tell their passionate about everything. Even through their recorded music. Anyway, I really love the instrumental power in this one, and the melody's great. Not my favorite off the album, but still really, really good.

10. Never Give In
This song is brilliance, pure brilliance. It's the most inspiring track I've heard in a long time, and they accomplish that without sacrificing any aspect of themselves. This song reaches out to every member of the "BVBarmy" to tell them that they don't have to give up. "When your life feels lost (Fight against all odds!)". It's flawless, uplifting, and really makes you want to stand up for yourself. It makes the fans feel connected, and they are.

11. Sweet Blasphemy
My number one WSTW track - and, judging from the tweets/status updates containing the lyrics, I'm not alone. This song, I feel, incarnates everything Black Veil Brides has come to stand for. It speaks about the world's pressure to conform and how we are strong enough to be who and what we want to be. We "won't believe this lie" because we know "there's something more inside" than what the world wants us to be. Our strength allows us to become "something more than they can be". This song epitomizes the message to be yourself. It really is standing up for the underdog, the disenfranchised, the ridiculed. It brings hope, strength, and confidence to fans everywhere. I thank Black Veil Brides for caring about their fans in a world wrought with bands "too good" for that.

12. Carolyn
A friend said to me that this final track was her least favorite, and with how different it seems, I can understand her opinion. To me, though, I love the difference. It stands out amongst the others on the album because of the stylistic elements. In the opening, I love the guitar (a pattern that reappears during the choruses), because it just puts me in mind of older rock music. The song itself is beautiful. Lyrically it's touching, and the simpler instrumental support for Six's vocals are a lovely complement. It is, yet again, a very uplifting track. I love the reversion to an acoustic sound, just for a couple of seconds, following the solo. The song overall has the feel of a modernized classic, if that makes sense. It's a song that I'm sure to go back to over and over again. It closes the album really, really well.


Now you, the reader, have a couple of options. You can buy "We Stitch These Wounds" on iTunes (help them climb the charts!), or you can buy a copy at Hot Topic, FYE, Amazon - anywhere, really! But the Hot Topic copy contains a special bonus track - an acoustic version of "Knives and Pens" - so I personally intend to go out and pick that up soon.

As bassist Ashley Purdy has said, Black Veil Brides is "definitely a band that stands out today but still brings [their] own take and a fresh spin on heavy rock and metal music with an image" (Noisecreep). They've certainly proven themselves with their breakout debut album, and I guarantee the BVBarmy will continue to grow as a result of their efforts, their talents, and most of all their passion and devotion to their fans and to their music. I, unfortunately, missed them at their Charlotte stop of the "Sacred Ceremony Tour," but if it hasn't yet reached you, I strongly encourage you to get out there! It's well worth it, and I'm willing to bet you won't get to see them in these club shows for too much longer. They'll be packing arenas any time now.

Much love for you, the readers, and for the band.
Mari
xoxo

Contact me with feedback, requests, or propositions, or leave a comment on the page!
marissa.billiet@hotmail.com
(704)-868-6274

7.16.2010

Cool Tour '10!

Alright guys. I was lucky enough to win tickets from DingLife to go see the Cool Tour last night when it stopped in Charlotte, and I was insanely excited. Now that it's over, I'm still insanely excited, because now I get to fill you guys in on the experience. I'm going to go band by band in the order they came on, just because it makes it easier to think about. Read on!

War of Ages - Alright, I'll admit, I hadn't heard too much from these guys prior to the show, but they were incredible. They really got things going and the place went WILD for them! We'll apparently get to see this on YouTube at some point in the near future, too (: I must say, I was really surprised that they were opening things up. I feel like they're better than that, actually. And they're a super cool group of guys, too. After the show, they hung around by the merch tables and talked with the fans. My shoe now holds their signatures. Only one of our group didn't have something to be signed, so Alex Hamp (drummer and brother of singer Leroy Hamp) turned around and got a poster from the merch table, signed it, and gave it to her. I thought that was totally cool of him.

Cancer Bats - Um... Unfortunately, I wasn't impressed with Canadian exports Cancer Bats. To me, something about it was just... messy. The subwoofers were up way too high (a friend said it made him feel like polka), the lighting was out of control, and Liam Cormier's hair just got to me. The combination of past-shoulder-length hair and the attempt at a mohawk that wasn't actually a mohawk... you could only even tell it was shaved that way when he was headbanging, and when he wasn't it looked really thin and greasy. As for the vocal performance... I was more partial to bassist Jaye Schwarzer's backing. The best song seemed to be the cover of Beastie Boy's hit "Sabotage" - which was, sadly, the only song that got the crowd going. I felt kind of bad, because they really don't sound bad recorded, but their live performance was sorely lacking. (As for recorded tracks, though, things like "Dead Wrong" don't sound bad.)

Architects - Now, our UK imports, on the other hand, were very good. They seemed to have a lot of fans in the crowd, and they returned things to their former energy - though, of course, with a very different vibe than WoA had earlier on. I liked, as I have a tendency to, Sam's capability with both screaming and clean vocals. They had a decent connection with the audience, which is a big deal. Near the end of their set, we were told that things were going to slow down for a minute, and I've gotta say - I was a little thrown off. You go to a show like this, you don't expect "slow". But that's how this song started off - and then it transitioned. If this was the END of the set, I would've found it totally awkward, but as it was, I was glad to see that they had versatility. It's always nice to see. I was really impressed with some of Brighton's best, and I'm hoping they decide to come around this way again - I'd love to go to another show with them.

Acacia Strain - Oi. This was... interesting. And not really in a good way. Don't get me wrong - they DEFINITELY connected with the audience. There were quite a few times I thought someone was going to lose an eye, and the moshing was out of CONTROL. But... I still couldn't get into it. I just can't respect a band who seems to have no emotion other than overblown anger, and seems to want nothing more than to make their audience feel that same hatred towards pretty much everything. Vocalist Vincent Bennett says the latest album was about "pulling yourself out of society" because everything sickens you and leaving everything behind and "destroying everything you think you love". While I'm all about expressing yourself through music, this just struck me as over the top. Half of it seemed to offend people, and what didn't pretty much made the whole lot of us want to kick puppies and punch people in the face. I wasn't into it, not at all, but I will acknowledge that they did have a lot of die-hard fans present who had the time of their lives.

blessthefall - Okay, so, blessthefall's set opened with me and about half the crowd getting totally drenched - what a start, right? Blessthefall was a big part of the reason I wanted to go to this show, and I was definitely not disappointed. I'm a little in love with Beau Bokan, and I think he was a great choice for a replacement vocalist after Mabbitt's departure. He and Jared Warth (bass/screams) balanced wonderfully, and the band as a whole was totally connected to the crowd. It was great because at one point, Bokan proclaimed that he hadn't seen a crowdsurfer the whole show - and that had to change. Needless to say, that got people going. As the set progressed - incredibly, I must add - crowdsurfers could often meet with a clasped hand from the singer, which I'm pretty sure made the fact that they were moved to the back totally worth it. The guys were definitely a highlight of the show for me, and I really, really hope I get to see them again soon because it definitely warrants a repeat experience. Thanks, guys!

Underoath - Originally, Between the Buried and Me was supposed to go on at this point, but we were informed near the end of blessthefall's set that BTBAM drummer Blake Richardson was in the hospital and Underoath would go on in the meantime - we'd have to wait and see about BTBAM later. Well, Underoath was INCREDIBLE, as expected. Everyone was moving again, even though by this time we were all kinda tired. I was also a little curious as to how I'd like it with someone else doing drumming and clean vocals. But Daniel Davison (ex-Norma Jean) did a great job with the drumming, and I know I'm not the only fan who'd be totally cool with the idea of him becoming their permanent drummer (it hasn't been announced yet). As for clean vocals, I was really impressed with Spencer's cleans. I also loved their lighting for the set. They used nothing but ground lights - no overheads - which created a really cool silhouette effect that I loved. They were a huge hit, and we all loved it!

Between the Buried and Me - Yes! BTBAM was able to perform after all! Which came as a huge relief to the crowd, since the band's from North Carolina originally. According to vocalist/keyboardist Tommy Rogers, there was an issure involving the twisting of testacles. Who knows? In any case, the set was proceeded by a rousing cry of "Blake's balls!" Haha. Anyway, the set went great. The band stands out in any list, and let me just say really quick - PAUL. WAGGONER. It is sick how skilled this guy is. I guess he has to be, to be in a band that just oozes badass. He and rhythm guitarist Dusty Waring pulled some seriously great sounds, and bassist Dan Briggs was so wild! He had so much energy, and it was absolutely contagious. And, of course, our risen wounded, drummer Blake Richardson, was insane wailing away up there. I also loved watching Rogers go back and forth between deep scream vocals and retreating to the keys to send out cleans. I loved watching these guys because no one could ever doubt how passionate they all are about what they do. They put everything into their performance, and the audience knows it.

As I Lay Dying - WHOA. Headliners, obviously, and WHOA. Incredible. Absolutely incredible. These guys were insane. And if anyone was having issues mustering up energy, that stopped dead as soon as they came on. They played a lot of their latest album - The Powerless Rise - and no one was unimpressed. They made it all crazy, which was what we all there for anyway, right? Before the last song, Tim Lambesis called for a Wall of Death, and everything went insane. Well, it went insane after Tim decided to reveal to us that he hadn't showered since San Diego. Wish I hadn't heard that. Anyway, I was safely out of the way for the insanity (don't judge me; I'm a little person and didn't feel like dying) so I got to see the madness unfold. Wall of Death + massive mosh pit = As I Lay Dying? I think so! I saw a lot of people fall, a lot of people get pushed, and a lot of people get punched. I was glad to see that people also helped other people up, though, because it's nice to see courtesy amongst fans. And everyone had a great time with it - I happen to know someone who was VERY excited about getting kicked in the face. The band was great, and at least two of them (Nick and Josh - lead guitar and bass/cleans, respectively) were outside after socializing with their fans, which was a lot of fun.

Overall, this whole show was incredible. There were ups and downs, as I said, but it was a lot of fun. Great music, great atmosphere (the Fillmore Charlotte is an incredible venue, much nicer than most indoors!), and a whole lot of great company - well, barring this one guy who really needed to put his shirt back on and stop getting his backsweat on me (ew), and two girls going around in bathing suit tops (trashy). It was a fantastic show and I'd go back in a heartbeat. There are a lot in this group that I'd LOVE to see again. We'll see!

Did you go? What'd you think? What're your thoughts? Are you GOING to go? Did you want to and miss it? Talk to me, people!

Anyway, love you guys!
Mari
xoxo

marissa.billiet@hotmail.com
-Let me know if you want to be involved in some way!

7.04.2010

TIEKEN

Tieken (pronounced, I’ve learned, “tea-ken”) is a two-piece metal outfit from Ursa, IL, comprised of twin brothers Trenton (stylized Trent10) and Trevin Tieken, with Trent10 playing drums, Trevin playing bass, and both providing vocals. Though I can’t possibly imagine doing much of anything with my sister that doesn’t result in me trying to kill her, the talented twins tell that fights seldom arise as a problem for them. I believe it, because obviously nothing’s stopped them from kept them from making reminiscent of metal fifteen to twenty years ago – in the best way. These guys are insanely talented, and I was able to learn a little more about them.


So, I’ve gotta say, I can’t imagine doing much of ANYTHING with my sisters, and you guys have managed to create a really cool sound and music I feel like people are bound to love. How do you keep those inevitable sibling shouting matches from disrupting what you do?
- We honestly never really fight… pretty strange!

Whoa… I kinda doubted that relationships like that actually existed between siblings.

Building off of the last question, how long have you been playing, and what made you decide to play together?
- We've been around music since we were born, and grew up with a dad who was a musician so it was inevitable that we'd end up playin’ music, with one of us playing bass and the other playing drums we naturally ended up playing together.

It’s like going into the family business – only, you know, cooler.

Your pages say you’re looking for another guitarist; how do you think the addition of a third member will impact the band?
- It’s hard to predict what would happen with the right third member and how it would affect the music, unfortunately we've had a lot of bad luck so far, but in order to play live you gotta have a full band.

Completely understandable - I know that I’m not alone in loving the thought of seeing you guys live!

Which one of you writes the lyrics to the songs? Or do you write them together?
- We both write lyrics and music, and we both have our own songs we write individually.

What do you use as inspiration for your music?
- Inspiration comes from anything and everything... people, life, movies, other music, or whatever makes us wanna write, we have no rules.

Of the songs you’ve done together, which do you connect with the most (individually)?
- Probably some of our most recent stuff we're working on, but you'll have to wait for that!

Ah! Way to make me over-eager. Here’s to hoping I won’t be waiting for too long!

What do you guys do when you aren’t creating sick awesome music?
- Either watching way too much TV and movies, or making ridiculous movies with friends, oh and can't forget Blowing Shit Up!

Haha, sounds like fun!

Who serves as the greatest influence to each of you? Both in regards to your respective instruments and musicians in general.
- Overall as a band we'd say Rob Zombie, Motley Crue, Alice Cooper, Kiss and Marilyn Manson are kind of our main influences, but as far as individual players for bass and drums would be Bassists like Gene Simmons, Jack Bruce, and Nikki Sixx and Drummers like Tommy Lee, John Tempesta, Seven Antonopoulos, and Morgan Rose, the list is endless....

If something, anything, had kept you from doing music, what would you have done instead?
- Something in arts and entertainment, like movies, or music production, art, something along those lines.

You guys are still young. I know you do something with film (I saw the trailer for “Hampshire” and really want to see it now) – would you ever try to pursue something in that avenue, along with your musical endeavors?
- Maybe, we love movies and love goofin’ around with filming.

Movies – best and worst of all time?
- Tough question.... We love a lot of movies and hate a lot of movies!! We could spend an hour trying to figure this question out.

Everyone has some kind of guilty pleasure in their music collection. What’s yours?
- We don't feel guilty about anything we listen to.

Now here’s my embarrassing question: How do you pronounce your name? I really don’t want to get it wrong.
- TIEKEN, Tie (like the drink Tea), ken (like Ken and Barbie).

What’s on your playlists?
- Neither of us have consistent playlists we listen to.

What do you want your fans to get out of listening to your music?
- Pure entertainment and enjoyment, and for people to make their own interpretation.

We don’t see a lot of those eight-to-twelve minute songs anymore, and you’ve got quite a few. Is there a reason behind that or is that just how things turned out?
- None of the songs are all that long, I think there’s a glitch on the players saying they're twice as long as they really are, our longest is song is about 5 minutes. Maybe someday we'll jam out a 10 min groove like the old days.

Oops! My mistake! Well, I wouldn’t be opposed to hearing something that long. Maybe I should start letting things end instead of getting distracted…

So, keep it in mind, guitarists in the area, the Tieken twins are on the lookout! And readers, you should be looking out, too, because I’ve got a feeling good things are coming our way from these young rockers. There are currently six songs available for listen on their MySpace page (see the link at the bottom), with my personal favorite being “Kings, Queens, and Fools”. Check it out!!

TIEKEN myspace - http://www.myspace.com/tiekenband


Lotsa love to all my readers, all the bands, and any music-lover who hasn't yet found his or her way to this blog... even though they don't know I send my love. ;)

Mari
xoxo

marissa.billiet@hotmail.com
Email me if you'd like to be a part of this. I do everything from interviews, to reviews, to promotion and more. Or, if you want to chat, add me on MySpace at http://www.myspace.com/missymayhem_inmi or Facebook at http://www.facebook.com/missy.billiet.

6.28.2010

Snow White's Poison Bite

Very recently, I was introduced to a band from Finland called Snow White's Poison Bite - and damn am I glad! These guys have some sick skill. Their debut album, "The Story of Kristy Killings" will come out later this year, but in the meantime, their demos leave their fans wanting sooo much more. On their MySpace page (link at the bottom), SWPB says that "With rip-roaring riffs to terrifying screams and charmful clean vocals, Snow White's Poison Bite brings a storm of pulsing emotion complexity and intensity" - and I have to agree. I love their contrast, and I for one am super psyched for their debut!

So, until their album comes out, I'm forced to make do with the songs they've got out on MySpace and YouTube. I'm cool with that though, becuse it's incredible material. My favorite is either "In Tragedy of Love Lost" - it's great for showing that contrast, absolutely incredible - or the acoustic version of "Sleeping Beauty". Now, I say the acoustic version just because I really, really love SWPB's clean vocals (courtesy of Allan "Jeremy 13th" Cotterill). Plus, I love the lyrics, and the styling of the acoustic version shows diversity which I massively respect. A couple other songs I love - "The Nursery Rhyme," "Glitter and Sparkle," and "Valentine's Doom" (that last one's a free download on their MySpace, guys!). In short, these guys are just incredible.

Along with Cotterill, SWPB consists of Tuomo Korander (guitar), Teemu Leikas (drums), and Jarkko Penttinen (bass). Korander, Leikas, and Penttinen are all Finnish natives, but Cotterill was originally from Leicester, England. Tuomo also plays bass in the band Backstabbing Bastard - which is also pretty kickass. Teemu plays in a cover party band called Cube, as well as two other bands he hasn't filled the public in on yet ;) Jarkko, it turns out, was initially a drummer, though not for SWPB. He was asked to try bass for the band and everything "just fell into place." I"m told he's a fun guy on the road, too. Looks like we - the fans - can be grateful that he was willing to give bass a try! :) Formerly, there was a fifth member of this great group, but Juuso Puhakka no longer screams for the group; happily, I am told there was no drama involved in his departure. Now, Jeremy 13th does both screams and clean vocals.

From what I can tell from their interactions with their fans on both MySpace and their forums (also linked at the end),  they seem to be pretty involved and dedicated to the fans, for which I respect them immensely. I can only hope that their dedication stays true as they grow as a band and get the attention they deserve. If we're lucky, they'll find their way out here to the US some day.

So, guys, check 'em out, and tell me what you think. They're pretty incredible :)
http://www.myspace.com/snowwhitespoisonbite
http://www.snowwhitespoisonbite.com/

Love ya!
Mari
marissa.billiet@hotmail.com

4.19.2010

Interview with DEADMANSWAKE!

DEADMANSWAKE has been referred to as "female-fronted Chicago metal with a whole lotta balls" and that certainly seems accurate. JP Soule and Josh Barker join forces to deliver slashing guitar tradeoffs. "Troll" - delivering rock-solid basslines that bring bass from the shadows to which its so often relegated - and new addition Kip Kiebles - pounding passion into drums - provide a solid rhythmic backbone. And through it all, vocalist Kryssie Ridolfi's edgy, blues-tinted voice weaves in and out with lyrics that actually mean something. Together, this group brings something refreshing to the table - an actual band. These talented performers are more than just "a female frontperson and some guys that play instruments" - they're a true unit, as I got to see when I sat down to chat with these guys via phone to learn a bit more about the people that make up DEADMANSWAKE.



((Note: Some answers were paraphrased out of necessity involved with having interviewed over the phone, but all has been verified with the band.))



Q: So, sorry to ask the totally boring question, but I have to. How'd you guys meet and start playing together?
A: JP - I joined an existing band, and we broke up after about six months. Then I heard from two of the former members separately and we started anew. We were kinda come-and-go with members for a while, and then in 2006 the name was officially changed to DEADMANSWAKE. It was actually the suggestion of one of a former member's friends. I fronted for a while but I didn't really like my voice, and then we got a new vocalist; he was with us for about a year. There were just different problems, you know, he could scream well but we were lacking that melodic vocal. We let him go and held auditions for a new singer. I wasn't necessarily looking for a female vocalist, but I was open to it, and then Kryssie knocked the audition out of the park. Since then, we've had a lot of personnel changes... Kryssie's been in for almost three years, Josh has been here for a year and a half, with Dan about the same, and Kip's been with us since December. Now, this is IT. No more changes, or the first thing they'll see is a red dot on their chest from the hitman I hired!


Q: Wait, Dan? Is that Troll? Why that name?
A: "If you met Troll, everything would fall right into place."
    Troll - I was actually called that in a mean way in high school because I was annoying a girl, and it kinda just stuck. I use it for everything now.
    Kryssie - We've had comments about it on Facebook saying that you aren't truly a metal band until you have a guy named Troll.


Q: I guess I’ll ask this – I didn’t really intend to, but I thought about it when Troll started talking. What’s the deal with all this stuff about beer and cheese? Isn’t cheese supposed to go with wine?
A: There’s much, much more variety with beer than wine. I urge you to look that up.
    Kryssie - He’s an incredibly picky eater, and with me being one of the cooks in the band it makes me absolutely bananas. He’s impossible to feed. Mostly I see him eat cheese, and fries, and nachos.
    The chips are a cheese conveyance.
    I heard a rumor that Dan once ate a doughnut.
    Kryssie - It’s true, I witnessed said doughnut! To be perfectly honest, it’s nice that someone else noticed he doesn’t eat a damn thing. I told him we show love by feeding people!
    He’ll eat ice cream cake in the shape of a beer.
    True; for his birthday we got him a Dairy Queen ice cream cake in the shape of a beer. I’ve never seen anything quite like it.


Q: What is it that provides the inspiration for your lyrics?
A: Kryssie - I'm a huge fan of really poetic lyrics, and a lot of it was already written when I joined. But when they gave it to me it was all instrumental - I wasn't allowed to hear the vocals - and it kinda blossomed into me drawing from personal experiences. I was at a huge renaissance in my life. I'd just gotten out of a two and a half year relationship, and I was growing up. I wrote about things that pissed me off in the past or messages I hoped to convey to people in my life. I draw on everything that ever happened to me, because the only thing in life is what you know.


Q: So, of the songs on your album, what do you connect with most on a personal level?
A: Kryssie – It’s tough to choose. “Back to Blood” is a lot of fun. I’m a huge fan of horror films and that genre but our former drummer really didn’t want to incorporate that into the music. But if you really listen, “Back to Blood” is about being turned into a zombie, and your feelings for the person who bit you. It was kind of an underhanded way of getting the horror them onto the album. But I think I relate the most to “Homeless” which wasn’t originally going to be on the album. It speaks volumes about my whole existence with this band.
    Troll - Well, I have a harder time connecting because most of it was written before I came along. So I relate to the newer stuff that I had a hand creatively writing from the ground up. I do agree that “Back to Blood” is fun.
    Kip - I’m the same – everything was written by the time I got here. I connect because I dig it all. “Selfish” was the first in which I pulled together with these guys. It’s heavy, with an edge and angst and it really just says “Sit down, hush up, and listen because we’ve got something to say.”
    (Kryssie - Wow, Kip, we need to get you a cheerleader outfit!)
    Josh - Ah, well, I’m the other new guy. I think I connect most with “Back to Blood” because it was the first one I heard. Kryssie started singing and she pretty much kicked my butt with it. I love the lyrics, especially the line “When I said I wanted to bury the hatchet I didn’t want to bury it in my back.” I walked into the first practice with about half of it learned. JP started playing and I was just like, “Oh, so that must mean I play this part.”
    JP - Musically speaking, I’m most proud of “Far Be It From Me” because it came out of nowhere and it was really written on the fly; all of it just fell into place. Lyrically, “Selfish” resonates really well with me, plus I did a lot of the backing vocals. The chorus was actually one of the first we wrote together. When we put out the EP, our producer put it last because it was the strongest chorus to close with. (“Fun fact – if you wait isolate JP’s vocals, he sounds like Michael Bolton.”)


Q: Ignoring Twilight (“Ah, that won’t be hard.”) – vampires or werewolves?
A: “Uh oh. You just asked that question to a bunch of big horror nerds, big dorks.”
    Kryssie - If we’re talking Lon Cheney, I’d say werewolves. Leslie Nielsen – vampires. But really, I’m Italian, I couldn’t stay away from garlic if you paid me!”
    JP - Vampires are super cool but I don’t know that I could deal with the living indefinitely. I like werewolves because you get to change, and because if you’re careful nobody’ll ever know. You’ll just go around and be a werewolf and we safe. But if I were a werewolf I’d change completely, I wouldn’t be that man-wolf thing.
    Troll - Eddie Murphey made a pretty awesome vampire.
    Kip - I just like cheerleaders. Band colors are black and red.. The only time I’m serious is when I’m behind the kit with my sticks.
    Josh - I’m actually going to give a serious answer. Werewolves, only because I like the idea of dichotomy. And what if you don’t want to transform, don’t like the monster you are? I just like the whole dichotomy of the situation.


Q: What band do you guys look up to the most?
A: Iron Maiden. We’re all super passionate about our counterparts with this band.
    Kryssie - I’d like to be Bruce Dickinson when I grow up.
    JP - I’m a huge Zakk Wylde fan, but I take my inspiration from a lot of bands. I’m an all-around metal snob.
    Josh - Slash, John Petrucci from Dream Theatre, David Gilmour from Pink Floyd, Satriani. I started because of Metallica. I really take inspiration from wherever I can.
    Kryssie - Well, I grew up as a guitar player – the vocalist thing didn’t happen until this band; I’m a tenor 1m which is like the highest dude in a choir – so I think there are just some really iconic frontmen who made me who I am onstage. Alice Cooper is big – I’ve got his face tattooed on my bicep. Lzzy Hale from Halestorm is really cool and knows what she’s doing.
    Troll – (Kryssie – You know I inspire you.) Damn right, Kryssie inspires me. Really, I don’t know. I listen to a lot of Jazz on the side. Yeah, Iron Maiden. And Alex Webster from Cannibal Corpse – he is so damn fast.


Q: You guys shared the stage with In This Moment and Eyes Set to Kill earlier this year. What was that like?
A: That was actually two separate shows, so we’ll take them separately. ESTK came first; the promoter sent us an email saying they had this band they thought we’d fit really well with, and it was at a venue we’d played before. JP jumped for it. The band was kinda quiet, you know, they didn’t really talk us much, but they put on a good show.
    ITM was incredibly gracious, they’re super nice people. It was cool because Jeff actually watched the show, and Chris, and Blake was in and out. They really put on one hell of a show.
    Kryssie: I was right up in the front against the bar while they were onstage. It was the same promoter as before, and when he came to us I pretty much peed my pants. I told the guys, “We’re taking this show; I don’t care if you’re busy or if you’re out of town – we’re taking this show.” Hopefully we’ll be able to get on the road with them at some point, for more than one show.
    It was really, really interesting to see the difference in the crowds and how differently they reacted to us. At the end of ESTK someone in the front was like “Aw, no breakdowns?” and I was like “No, numbnuts, we’re not that kind of band.” Honestly, they really DIDN’T react to us. There’s a picture and you can see this girl in the front row texting while we were playing. They were kinda into that kind and that kind only. With ITM, the crowd was all about us. Obviously they still weren’t there to see us… but there were a lot more fists in the air. A lot of CDs were signed that night.


Q: Who’d last longest in a zombie invasion? Who’d need to be protected?
A: Josh – At least three of us have done this on Facebook, and we all survived pretty much the entire apocalypse.
    Kryssie - We’d be smart enough to find high ground and post guns at every entrance, and I’d be sitting back sunbathing.
    JP – Kip and I both have guns. I think we’d all protect each other.
    Kip - If DMW’s a cake, Kryssie’s the frosting. We’d all protect her.


Q: A lot of bands refer to themselves as family. So does that include the sibling-esque shouting matches?
A: Yeah, it happens sometimes but fortunately our screaming matches have been restrained to kinda emphatic talking matches. There hasn’t been like screaming and fingers in people’s faces and slamming the door.
    Kryssie - There’ve been a lot of changes, but in the current lineup we’re all good friends. They’re my best friends, I wouldn’t trade them for the world, but yeah we absolutely have those family discussions. I end up being mom a lot of the time, but it’s not a problem because we’ve found ways to not make it a big deal.
    We seem to get through it most quickly when we’re mature. We’re in this as a career and we’re all grownup enough not to let petty little BS get between things.
    Kip - I might be the new guy, but I don’t feel like the new guy. I feel like family.
    JP - You’re gonna scream in each other’s faces sometimes. If all you’re doing is smiling in people’s faces, there’s shit going on behind the scenes. I’d rather have it out than disintegrate because we can’t talk.
    Kip - Of course. We’re all 20% and we wouldn’t trade it for anything.
    Kryssie - In all the different incarnations of the band, we were never this close. Everybody just gets it. We’re in it because we want to be a band 24/7.
    Josh - I just hate all of you.
    JP - Eh, Josh only showers like once a month. We’re thinking about getting rid of him.


Q: Does it ever floor you, hearing from fans overseas? Do you ever get used to it?
A: I don’t think you DO get used to that.
    Josh: - When Troll was saying he was shipping overseas, I was like that technically makes us international recording artists, but I mean we’re unsigned local Chicago bands, but the fact that we’re out there and may one day get out there… Trying to actually grasp that in your head, I’m not sure we’ll be able to until we’re out in front of Big Ben and maybe not even then we’ll be like “Duhhh.” I work at Noodles&Co and I had a girl walk in last week with a DMW button. I was just completely playing along with her and it took her a few minutes to figure it out but I mean getting recognized…
    Troll - It’s actually very frustrating because we can’t afford to go do that now. We must have this image as being bigger than we are. Any one of us would get over there and play if we could, but we’re not rich.
    Kryssie - We’re making leaps and bounds as far as popularity is concerned, for an unsigned band. The closest we came to an investor was Troll’s mom giving us money to duplicate CD’s and we had to pay her back! We try to put up videos and stuff to still connect and stuff. It’s really cool, though. We’re actually going to be on a female-fronted metal compilation by Femme Metal records. It’s very exciting to have fans so far away but it’s also very sad to know you can’t go and meet them face to face.
    Kip - I’ll play for free, just get me there.
    JP - One of the coolest things that has happened since this band has become what it has become is we signed a CD from this guy in France and he displayed it in his house and he has pictures of it on his facebook and it’s like “My signature’s on the other side of the PLANET.”
    Kryssie - It is very strange though. I mean I work at a crappy diner and I’ll go to table and kids’ll be like “OMG you’re the singer from DMW” and I’m like “How the hell do you know that?”
    JP - Here’s the best getting recognized story. Opening for ESTK, one of the other bands on the bill Dreaming of Eden, they ah, we were hanging out by our merch table after the show and they were giving away or selling these posters of them, and this kid comes up to me and he’s like “Will you sign this for me?” and this member who’s no longer in the band was bald and had a goatee. Two minutes later another kid comes up to me and he’s like “Good show will you sign my poster?” and I’m like “hang on, let me get you one of MY band’s posters.”
    Kryssie - Let me finish it!!! Okay, so our photographer Jeff – painter and roommate – and the second kid was sitting outside the bathroom and Jeff heard him say “Man, I got the wrong bald guy!” We always joke around that he looks like the guy from Anthrax.


Q: What else do you guys do, hobby-wise?
A: Kip – I like to hunt, I like to ride motorcycles, I like my boys. My boys are everything: they like motorcycles, dirt, and drums. They’re all guy things. (“And he’s into cheerleading too.”)
    Josh - Well… I play guitar. I’m either in some form of writing or I’m playing guitar. I go running a lot, I guess that counts. (Kryssie – Skinny bastard.) I like to cook. My hobby would be, I guess along with Dan, I’m kind of a rum snob. Dan’s not a beer snob he’s a beer connoisseur. (Troll – I prefer the term beer advocate.) Oh, okay, he’s a beer advocate, I’m a rum advocate.
    JP – I’m starting to become quite the tattoo enthusiast. I just got my fourth (“That’s not a tattoo it’s a mural!” Kryssie – Ladies, I have more tattoos than any of you.) You started years ago! (Kryssie – you’re like NINE years older than me!) But I just started last summer! Anyway, I’m planning on an Iron Maiden half sleeve, and a JAWS half sleeve or full sleeve – that’s my favorite movie. I have a pretty extensive t-shirt collection. Video games, lots of horror movies, and of course guitar. You never reach the end of it – there’s always something more to learn. I enjoy shooting - (Kryssie – That’s a terrifying way to end that!) – shooting paper targets in a range. One of Kryssie’s hobbies is tearing me down.
    Kryssie – I wait tables, which I can hardly call a hobby. I’d like to quit. But I teach horror makeup application, and I collect Nightmare on Elm Street memorabilia. I like web design, flyers and stuff. If you see anything that looks good, I probably did it.


Q: Top movie of all time?
A: Kryssie – Nightmare on Elm Street
    JP – JAWS
    Troll – Office Space
    Kip – Pee Wee Herman’s Big Adventure. Naked Gun – the slapstick comedy just gets me. I laugh at the same parts every time.
    Josh – The Dark Knight, Thank You For Smoking, the Lion King


Q: What are your thoughts on reality TV? What about insta-fame a la American Idol?
A: Kip - Kip hates reality TV. The closest I want to get is the news. Other than that, music and sports.
    JP – What I think is funny about “reality” TV is that it really isn’t. One of the only shows I watched was the Osbournes of course because it’s Ozzy. But that shuffling, giddy old man you see on that TV show, that’s not Ozzy. There’s nothing realistic about having a camera follow you around all the time. If someone offered, would we do it? Um, yeah. (In a heartbeat.) It’s just another way for people to get their fifteen minutes. You either stretch it out or you disappear.
    Josh: Going on the last end of the question, American Idol, some of those people, when they come off that show, to me it’s just like “okay, you guys did great having songs handed to you, but a lot of those artists yeah they right some of their own when they’re by themselves, but any pop artist out there might right their own lyrics but half the time they don’t right half of it.” Yeah, our producer has input but we choose what we do, we do what WE do. Sucks for them, but a lot of what they do is not as genuine as this.
    Kryssie: Here’s a secret: Many years ago, I auditioned for American Idol. I got dared to by someone I worked with to go out there and sing “How Am I Supposed to Live Without You?” but what they don’t tell you that those giant shots are actually just the first day of two or three. They weed through all those people and you go through so many. I made it past the first two rounds of my audition but the producer told me that with how I looked no one would vote for me. At that time, I had multicolor hair, one facial piercing, and very visible tattoos. And then that year Bo Bice and Daughtry were on. I find it interesting that now stuff like that has become mainstream and all of a sudden it’s okay but they wouldn’t take me because of my appearance.
    Kip: It’s no longer about a singer, it’s guitar and piano, and…
    Kryssie: They’re no longer auditioning singers, they’re casting a show. It’s easy to get caught up in the idea of it. If I auditioned now, they’d probably have a totally different response. Though it should be noted that Kelly Clarkson can sing. She’s phenomenal, really awesome and insanely humble. You know, I wait tables for a living, I can’t afford TV. I’d probably totally want to be on a reality show. I think it’d be hilarious for someone to follow me around. But can you imagine being a fly on the wall for that?
    Troll: It’d be pretty horrific to see me, sitting around in my underwear, playing Call of Duty all day.


Q: What’s the deal with the online voting going on right now? Is that for this year’s Warped? How’s it work?
A: That’s this year’s voting. Top one hundred for every venue will get reviewed and they’ll choose four per opening slot per date. So the odds are actually better than they look. The problem is you know some people will cheat, so they actually listen to you before they decide no matter what the votes say.


Q: Are there any stereotypes you’d like to contradict?
A: Kryssie - One email that I get all the time is “Your band is really great but I wish you would scream” and that drives me absolutely bananas because one, I suck, I can’t scream. There’s a science to it and I don’t get it. I mean, I realize that I have a gift but I don’t want to screw that up because I can’t scream just because it’s the trend. That’s not saying I don’t like screaming bands, but it’s just not us.
    Kip - To support Kryssie, we all play instruments but Kryssie happens to wear hers. She has to take care of it.
    Kryssie - Something I learned from an interview with Lzzy Hale: If it hurts you, don’t do it; I’d like someone to listen in ten years and have it still be relevant. It’s a lofty goal, but I want to be one of those bands that you can listen to things they recorded 25 years ago and have it still work. We’re a completely different take. I mean, I’m not a size two I’m not blonde, I don’t look like this, but it does work when we’re with other female-fronted bands and there are some groups of people that just listen to things because they have female singers. We don’t really play up the fact that I’m a girl, you know? It’s a double-edged sword.
    JP - A lot of female-fronted bands are a female front-person and some guys that play instruments. We are a band. So she’s the frosting, so? You eat the whole damn cake! She may be the main focus a lot of the time, but it’s because she’s a front-person not because she’s a girl. Nobody here is more important than anyone else. We all lay an equal amount of cards on the table.
    Kryssie - It’s ridiculous because a lot of the charm in a lot of bands is that chemistry. I don’t deserve any more attention than them just because I have a set of boobs. I want us to stay accessible. They wipe their rear end too I guarantee it. We’re all people and just because I do this for a living doesn’t mean I shouldn’t be able to sit down at the end of the day and have a normal conversation with someone. I live with my sister and my eight year old nephew. He was with a friend and he made her be the drummer and he played guitar and sang. She started to sing along and he stopped and “I’m the star not you.” Then he looked at me and said, “Just like you, right, Aunt Kryssie?” And I told him, “Honey, if you don’t have people behind you, you’re nobody.”
    Kip - I’ve been in a lot, but this is the best act that I’ve landed and I’ve never gotten phone calls saying “this stuff is fantastic, when are you doing all ages?” I’m very proud of DMW.
    We are all clean and don’t use any drugs. There’s nothing you can pack into a needle that can get you higher than running out onstage and playing for people who love what you do. There’s no greater feeling than hearing a crowd singing lyrics back to you. The first time I heard it I dropped my pick. If you put five drugs, five drinks, and the stage on a bar, we’ll run out to the stage. And that kind of high doesn’t kill you in your sleep when you’re 48 years old. (“Well, Troll might take his drink with him.”)


Q: How have you guys been affected by the media exposure and attention?
A: Kryssie: Again, it’s a double edged sword, for serious. On one hand, it’s really cool because people I haven’t talked to in ten years are coming out of the woodwork. On the other hand, I get a lot of creepy guys on the internet who’d have no idea of who I was if they didn’t see a picture of me in a nurse’s dress being chased by zombies. But you know you’ve gotta take the good with the bad. There are some scary people out there, but it is really cool. I don’t know that it’s affected me personally in a negative way.
    Josh: One thing we’ve noticed since the album came out, one thing that’s been popping up with former members of the band, is that they’ll quote us in their press and on their media where they’re like “formerly in DEADMANSWAKE” and it’s getting our name out but it’s like, “Wait, you quit for a reason,” and it’s kinda frustrating having someone ride our coattails.
    Troll: I think it puts us on a little bit of a higher level. Even though they left they think we’re good enough that they can do that. But you know, seeing your name out there and hearing people talk about you – it’s obviously an ego boost, but since it’s mostly been on the internet and in print and it hasn’t really gotten crazy so people come out and are like “Oh, you’re so-and-so, can I have your autograph?” I can understand when celebrities don’t want to deal, but I’m not really social so it’s nice to not have people coming up all the time. (“It is insanely flattering though.”) To use Josh’s word, that’s kinda the dichotomy of it. I can understand, but…
    Kip: I don’t like cameras in my face, you know, famous or otherwise get those cameras out of my face or I might knock you down... I hope people hate us, or love us, but nothing in the middle. I mean, I’ll take what I can get when I can get it but I think we’re only half as good and half as bad as they say .
    Kryssie: Almost three years ago when I walked into the garage for my audition, I never thought we’d get this big. We’ve got regular radio play and you know that’s huge for an unsigned band. It makes me really proud that people actually care what we’re doing. (“It validates the hard work we’re doing.”) I just hope it continues to be as good for us.


I had a great time interviewing these guys, and I learned a lot at the same time. If you like what you've read, check out the websites!
http://www.deadmanswake.com/
www.myspace.com/deadmanswakechicago

So, tell me, what did you think about what you read? Did you check 'em out? What did you think? Have a favorite song? Let me know!



Love you guys!
Mari
marissa.billiet@hotmail.com
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